The Dynamics of Creativity

igloo_animation_sir_ken_robinsonDo you know, there’s an app that turns your iPhone into a harmonica? When the iPhone was launched in July 2008, there were about 800 apps. Five years later, there are over 775,000. Some of these apps have launched whole new businesses. Most of them weren’t anticipated by Apple when they designed the iPhone. They couldn’t have been.

When they set about creating a game-changing smart phone, I’m sure Steve Jobs didn’t say to Jonathan Ives and the design team, “Obviously, this new phone has got to handle phone calls and email. But don’t forget, it’s absolutely vital that it doubles as a blues harmonica.  People can get depressed in meetings and they’ll almost certainly want to channel Howlin’ Wolf in the coffee breaks.”

The power of a really original idea like the smart phone is that it generates a storm of related innovations by other people, who become inspired by its possibilities. Like the harmonica app, this process can lead in all kinds of directions that the original creators didn’t have in mind. When Gutenberg invented the printing press in the fifteenth century, he couldn’t have foreseen the Protestant Reformation that it helped to bring about less than a hundred years later. Or Amazon. How could he? When John Logie Baird transmitted the first television picture in 1925, he didn’t foresee Fox News - which is probably just as well.

Individual creativity is almost always affected by the work of other people. In this sense, our own creative work is part of a much larger cultural conversation. When we work in teams or partnerships, the dynamics of creativity may seem obvious. But even people who typically work alone – some writers, composers and mathematicians, for example – are influenced, positively or negatively, by the work of others.  Sometimes we’re inspired by people working in the same field, sometimes in other fields entirely.

One of the people I interview in my new book, Finding Your Element, is the film composer, Hans Zimmer.  Hans started playing piano at a very young age and he started composing nearly as soon. He was inspired not only by the legendary classical composers, but also by the great architects.

“I have a really good instinct for patterns and shapes and architecture,” he told me. “The things I write about and find inspiring, are the work of architects like Norman Foster and Frank Gehry. I love looking at their buildings and seeing how they’ve put things together. And very often, when I look at my pieces of music — not in musical notation, but in the computer — I look at the shape, and when the shape and the patterns look right, they usually sound right … It’s a funny thing, because people will say, ‘Who were the composers that influenced you?’ and I can point at all of them. But I can also point at many architects. They haven’t influenced me but they have inspired me. At the end of the day, what you really want is the guy who inspires you, not the guy who influenced you.”

The dynamics of creativity can flow across every boundary of discipline, time and culture. These dynamics have profound implications for all organizations, including schools, that want to promote creativity and innovation. In future posts, I’ll look at more at these implications for education and the world of work.

As an appetizer, let me share three examples of creativity that, I’m delighted to say, have been stimulated by some of my own work. I didn’t commission any of these and knew nothing about them until they were sent to me recently.

The first is a wonderful animation by Igloo Animations of the story of Gillian Lynne that I told in my TED Talk in 2006. The second is a fantastic live performance of music and movement by RCC Drumline based on the same talk. The third is a powerful collage of images and video clips stimulated by a talk I gave in London on The Power of Imagination.

Each of these pieces shows how creative ideas constantly feed off each other, and how different media take them in completely different directions. It’s because of this constant cross pollination of ideas between people and disciplines that so many space scientists were inspired by Star Trek, that electricity facilitated rock and roll and that you can now play the blues on your cell phone.

Ideas for modern living: passion

I was asked by the Observer newspaper in the UK to contribute a 280 word piece on passion to the regular series on Life Lessons. Here it is:

Sir Ken Robinson -  Ideas for modern living: passion

Make the most of whatever it is that floats your boat…

It was Jeremy Bentham, I believe, who said there are two types of people in this world: those who divide the world into two types and those who do not. Well, these days I do. On the one hand, I'm constantly surprised by how many people settle for so little fulfilment in their lives, who endure their lives rather than enjoy them. On the other, I know people who simply love what they do and couldn't imagine doing anything else. "This isn't what I do," they say, "this is who I am." There are people in every walk of life for whom this is true: people who are in their element. Being in your element involves doing something for which you have a natural aptitude. But it's more than that: it's about passion. You have to love it, too.

Passion can be a disconcerting idea in Britain, conjuring up images of fiery glances, pounding hearts and a hint of castanets. It's not always like that. Passion is a deep attraction. It can be for someone else or for a process: music, maths, cooking, sport, entrepreneurship, teaching… whatever fires your imagination and stokes your energy. We all have different aptitudes and we have unique passions. The challenge is to find them because it's in the fusion of both that we live our best lives.

An original meaning of "passion" is to suffer or endure, as in the Passion of Christ. Its modern meanings have evolved to include love, attraction and pleasure. Finding our own element is also a journey from endurance to enjoyment. It's a vital step, too, in moving from being one type of person to being the other type.